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October 31, 2020October 31, 2020 Christopher Rhine

Trouble in Censoring: Lubitsch v. Hollywood?

October 5, 2020October 9, 2020 Christopher Rhine

Book Review: The Museum of Innocence

September 17, 2020October 31, 2020 Christopher Rhine

Buster Keaton’s Comic Brilliance

August 31, 2020September 17, 2020 Christopher Rhine

Tenet Will Not ‘Save’ Cinema or: How to Talk About the End of Cinema Without Reactionary Positing

August 8, 2020September 17, 2020 Christopher Rhine

Hemingway’s Iceberg Theory and “Indian Camp”

August 7, 2020October 5, 2020 Christopher Rhine

Book Review: Dance of the Infidels

October 28, 2020October 28, 2020 Christopher Rhine

Book Review: The Brass Man and Other Stories

August 12, 2020October 9, 2020 Christopher Rhine

Athénaïse’s Ironic Awakening

March 29, 2017October 9, 2020 Christopher Rhine

Marrying Guido to the Spectator: 8½ and Fellini-Spectator Verification

February 12, 2017December 27, 2019 Christopher Rhine

Isolation and Western Perception in Satrapi’s “Persepolis”

April 16, 2016August 7, 2020 Christopher Rhine

Where is Freddie Mercury: The Need for a Hero in Science-Fiction Films

June 20, 2015October 17, 2015 Christopher Rhine

South Central as a Prison in “Boyz N the Hood”

May 19, 2015October 17, 2015 Christopher Rhine

Genre in A Song of Ice and Fire

April 9, 2015October 17, 2015 Christopher Rhine

A Look into “The Tree of Life”

November 27, 2014October 17, 2015 Christopher Rhine

“Interstellar”: A Lengthy Analysis for a Lengthy Film

November 3, 2014September 21, 2020 Christopher Rhine

Subjectivity and Form in “Shame”

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