Tenet Will Not ‘Save’ Cinema or: How to Talk About the End of Cinema Without Reactionary Positing

Most of the reviews for Christopher Nolan's new film, Tenet, argue that its supposed to be the savior of cinema because its the first blockbuster release post-lockdowns. While they largely cite Nolan's Washington Post op-ed from March, which correctly argues that cinemas are socially vital and need our help in hard times, the reviews naively … Continue reading Tenet Will Not ‘Save’ Cinema or: How to Talk About the End of Cinema Without Reactionary Positing