Where is Freddie Mercury: The Need for a Hero in Science-Fiction Films

Experiencing the uniqueness of Queen’s Freddie Mercury, an occidental bystander will mark him with the distinctness of being both masculine in his rock-star stage persona and feminine in his private-life affairs and outfits (by no means is this observation made in full). According to Joseph Campbell’s The Hero with a Thousand Faces, Mercury exhibits heroism … Continue reading Where is Freddie Mercury: The Need for a Hero in Science-Fiction Films

Subjectivity and Form in “Shame”

Director and writer Steve McQueen really proved his worth in the filmmaking world with this film. He utilizes a shocking ecstasy of emotions to give loneliness and sex an overwhelming appeal. The film begins with a montage of sorts with Brandon (Michael Fassbender) living his white-blue desaturated lifestyle. He often employs hookers and clearly is … Continue reading Subjectivity and Form in “Shame”

Thoughts on “Boyhood”

Boyhood is wonderfully happy. IFC Films called this a "nostalgic time capsule of the recent past and an ode to growing up and parenting.” I couldn’t agree more. Throughout the film we watch a young boy, Mason (Ellar Coltrane), grow up from seven years of age until moving into college at eighteen. And this film is literally showing … Continue reading Thoughts on “Boyhood”